أثر متابعة ذوي الإعاقة البصرية لفيديو مصحوب بالوصف الصوتي على تفضيلهم لاستخدام هذه التقنية في الأعمال الدرامية بمصر"دراسة شبه تجريبية"

نوع المستند : المقالة الأصلية

المؤلف

كلية الآداب قسم الإعلام جامعة طنطا

المستخلص

سعت الدراسة لقياس أثر تعرض ذوي الإعاقة البصرية لمادة فيلمية مصحوبة بالوصف الصوتي على تفضيلهم لتلك التقنية عند عرض المواد الدرامية، وتحديد الأساليب التي يتبعها المعاقون بصريًا لمتابعة المحتوى المرئي، وقياس مدى فعالية الوصف الصوتي بالنسبة لهم في فهم وإدراك المحتوى المرئي، وتقديم مقترحات لتوفير خدمة الوصف الصوتي وإتاحتها لذوي الإعاقة البصرية بمصر، ولتحقيق أهداف الدراسة تم إجراء دراسة شبه تجريبية بالتطبيق على (40) مفردة من المعاقين بصريًا، تم تقسيمهم لمجموعتين كتجربتين منفصلتين، ثم تم عقد مقارنة بين المجموعتين، وفي إطار الدراسة أجاب المبحوثون عن استبانة قبلية، ثم تم تعريضهم لمادة فيلمية مزودة بالوصف الصوتي، وبعدها تم تقييم تجربة المشاهدة بالنسبة لهم، وقد توصلت الدراسة لمجموعة من النتائج، من أهمها: اهتمام المبحوثين من المراهقين والشباب بالمجالات الرياضية والفنية كمواد خفيفة وزيادة معدل اهتمام الشباب بالمواد السياسية والعلمية، تنوع الأشكال الفنية التي يتعرض لها المبحوثون بين الأفلام والمسلسلات والمباريات والأخبار والبرامج، تفضيل عينة الدراسة للمتابعة بمفردهم بما يشير لرغبتهم في الشعور بمزيد من الاستقلالية، تنوع الوسائط التي يستخدمها ذوي الإعاقة البصرية في متابعة المحتوى المرئي بين الموبايل والتليفزيون والكمبيوتر، ازدياد فترات متابعة المحتوى المرئي لدى الشباب عن المراهقين، تفضيل 85% من الشباب الوصف الصوتي المسجل بالصوت مقابل 57 %من المراهقين؛ وهي نسبة كبيرة تؤكد إعجابهم بفكرة الوصف الصوتي المصاحب للصور والمرئيات، من حيث اندماج الوصف الصوتي في محتوى الفيلم أبدت غالبية أفراد العينة أنه كان مندمجًا وأن سرعة الصوت وجودته كانت مناسبة، وتقييمًا لتجربة الوصف الصوتي اتضح ارتفاع مستوى الرضا التام لدى الشباب مقارنةً بالمراهقين وارتفاع مستوى الرضا المتوسط لدى المراهقين، بما يشير لوجود شعور بالرضا عمومًا عن تجربة الوصف الصوتي التي تعرضوا لها.

الكلمات الرئيسية

الموضوعات الرئيسية

المراجع

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([1])Ferziger, N., Y. F. Dror, L. Gruber, S. Nahari, N. Goren, N. Neustadt-Noy, ..., and A. B. H. Erez. "Audio Description in the Theater: Assessment of Satisfaction and Quality of the Experience Among Individuals with Visual Impairment." British Journal of Visual Impairment 38, no. 3 (2020): 299–311.
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([1])Hättich, A., and M. Schweizer. "I Hear What You See: Effects of Audio Description Used in a Cinema on Immersion and Enjoyment in Blind and Visually Impaired People." British Journal of Visual Impairment 38, no. 3 (2020): 284–298.
([1])Schmeidler, E., and C. Kirchner. "Adding Audio Description: Does It Make a Difference?" Journal of Visual Impairment & Blindness 95, no. 4 (2001): 197–212.
([1])Walczak, Andrzej. "Audio Description on Smartphones: Making Cinema Accessible for Visually Impaired Audiences." Universal Access in the Information Society 17, no. 4 (2018): 833–840.
([1]) Di Giovanni, Eugenia. "Audio Description for Live Performances and Audience Participation." The Journal of Specialised Translation 29 (2018): 189–211.
([1])Lopez, M., G. Kearney, and K. Hofstädter. "Audio Description in the UK: What Works, What Doesn’t, and Understanding the Need for Personalizing Access." British Journal of Visual Impairment 36, no. 3 (2018): 274–291.
([1])Lopez, M., G. Kearney, and K. Hofstädter. "Audio Description in the UK: What Works, What Doesn’t, and Understanding the Need for Personalizing Access." British Journal of Visual Impairment 36, no. 3 (2018): 274–291.
([1])Walczak, Andrzej, and Lorna Fryer. "Creative Description: The Impact of Audio Description Style on Presence in Visually Impaired Audiences." British Journal of Visual Impairment 35, no. 1 (2017): 6–17.
([1])dos Santos Marques, J. M., L. F. G. Valente, S. B. L. Ferreira, C. Cappelli, and L. Salgado. "Audio Description on Instagram: Evaluating and Comparing Two Ways of Describing Images for Visually Impaired." In Proceedings of the 19th International Conference on Enterprise Information Systems (ICEIS), vol. 3 (2017): 29–40.
([1])Branje, C. J., and D. I. Fels. "LiveDescribe: Can Amateur Describers Create High-Quality Audio Description?" Journal of Visual Impairment & Blindness 106, no. 3 (2012): 154–165.
([1])J. P. Udo, B. Acevedo, and D. I. Fels, "Horatio Audio-Describes Shakespeare’s Hamlet: Blind and Low-Vision Theatre-Goers Evaluate an Unconventional Audio Description Strategy," British Journal of Visual Impairment 28, no. 2 (2010): 139–156.
([1]) Di Giovanni, Eugenia. "Audio Description for Live Performances and Audience Participation." The Journal of Specialised Translation 29 (2018): 189–211.
([1])Francesca Bardini, "Audio Description Style and the Film Experience of Blind Spectators: Design of a Reception Study," Rivista Internazionale di Tecnica della Traduzione/International Journal of Translation 19 (2017): 49–73.
([1])dos Santos Marques, J. M., L. F. G. Valente, S. B. L. Ferreira, C. Cappelli, and L. Salgado. "Audio Description on Instagram: Evaluating and Comparing Two Ways of Describing Images for Visually Impaired." In Proceedings of the 19th International Conference on Enterprise Information Systems (ICEIS), vol. 3 (2017): 29–40.
([1])Romero-Fresco, Pablo, and Lorna Fryer. "Could Audio-Described Films Benefit from Audio Introductions? An Audience Response Study." Journal of Visual Impairment & Blindness 107, no. 4 (2013): 287–295.
 
 
 
 
 

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